DanielPalacios

Join the members’ launch party of the Science Gallery new programme, OSCILLATOR, to be amongst the first to explore the ups, downs, and beats of our vibratory world. Take a closer look at the oscillations that pervade our lives (from the nano to the macro, from biological to societal).
At the launch party, Science Gallery members will see two pig hearts have their heartbeats restored (despite being removed from their bodies) in one of several spectacular performances that will launch the exhibition, along with a sneak preview of the rest of OSCILLATOR, nibbles, drinks, and a few surprises… and guess what, Waves will be there.

Strata has received another award, this time by the Gabarron Foundation as part of their monumental public art contest. The sculpture selected by the jury is made of several hundreds of layers, of corten steel, relating to data coming from the sounds of the park where it would be planted; so this way the sculpture is shaped by the use their inhabitants make of the park itself.
The model of the sculpture will we exhibited soon in a couple of exhibitions in Spain and USA with the other selected projects.

For its tenth edition, the art and technology Piksel Festival, known meeting point of artworks based on open software/hardware, will include Whatever happened, Happened in its program. The installation will be analyzing the aundience flow of the exhibition, to make extremely slowly, a xylography in real time with that data during the whole exhibition.

Strata has been awarded by Paseo Project: New Creative Models to Experience the City, a program of the Zaragoza City of Knowledge Foundation and Ars Electronica, in collaboration with the City Council of Zaragoza, which aims to be a vehicle to think and research about how union between art and technology can be a tool to inspire and shape new links between cities and their inhabitants.

An edition of Waves is now part of the collection of CAAC, which will show on this exhibition also works from Pic Adrián, José Luis Alexanco, Elena Asins, Manuel Barbadillo, José María Bermejo, Ross Bleckner, Boyle Family, Juan Carlos Bracho, Patricio Cabrera, Gerardo Delgado, Equipo 57, Luis Gordillo, José Guerrero, Joan Hernández Pijuan, Anthony Mccall, Gustav Metzger, Henri Michaux, Manolo Millares, FranÇois Morellet, Robert Motherwell, Museum of American Art, César Peternosto, Paz Pérez Ramos, Stephen Prina, Manolo Quejido, Soledad Sevilla, José Ramón Sierra, Juan Suárez, Wolfgang Tillmans, Ignacio Tovar, Usco, Juan Uslé, José Val del Omar, José María Yturralde and Simón Zabell.

Waves is part of this experimental art exhibition using science and technology to develop new media for artistic expression, where you will find works of international artists using media that include chemical processes, physics phenomena and biology, electronics and programing as well as virtual environments and netArt.
Curated by Marta de Menezes for the Art & Arquitecture Programme of Guimarães 2012 European Capital of Culture.

I won’t be there… but some of the ‘leaf’ prints and the sculpture from Receptive Environments will be available at the AlarconCriado Gallery stand.

Waves will be part of this international group exhibit that intends to explore the synthesis between image and sound, the different graphical and physical representations of sound, and its evolution in the context of contemporary art. It charts a course of the most representative artists and pieces of the last decade, also focusing on “visual music” experiments by artists from the beginning of the last century such as Oskar Fischinger and James Whitney.
‘Visualising Sound’ originated in the idea of generating dialogue among all of the pieces that make up the exhibition, spanning a century of creation based on the same idea or concept: to dominate the wave, represent and tame it; the need to go beyond the place where our senses have brought us, which is, after all, the essence of all art. It seeks to show the broadest possible spectrum of the multiple representations of sound, investigating the sound dimension of the spaces we live in.
Curated by FiumFoto y Benjamin Weil.

Solo exhibition of N, new works about time perception based on the Mustang factory production chain.
Photo, generative drawings and a book containing both.