Interactivity is an interference.

We cannot observe without altering what we observe in such a way that what we perceive around us is not the surrounding environment but rather our interaction with it instead.

OutComes occupies a space in order to, along with the use the public make of it, give it a new content, makes us understand the extent of our actions in the space, the spreading of our presence in a system that is looking for a new equilibrium, adapting itself to us as we adapt ourselves to it.

From the relationship the installation itself has with the space it occupies (which moulds and defines its structure) and the relationship of the public with the same space (their way of moving in it and thereby in the installation) a musical composition is created; both the public and the installation form an active part in the creation of this new element in spite of the fact that neither one intervenes directly in the other, but rather cohabit the space in which each one finds the other instead.

Two points are key for favouring this: with all the technology remaining hidden, a fully plastic final result is created as opposed to the digital process on which it is based; on the other hand, by freeing the public from the interface, they focus on their feelings, the materials and shapes of the installation as well as the sound of these elements, the sound produced by making them vibrate. In this fashion, in this space, a series of behaviours occurs in the work itself which are only possible to the relationships the public establishes, and offering to that public a more intense perception of the reality surrounding it.

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OutComes is made up of a modular installation, composed of a variable number of resonator tube distributed in the space and a graphic of flows on the floor which visualizes the systems of relationships for that composition.

Standing upright on the floor and apparently isolated in their positions, but making up one great element, when we move deeper into its space, the sound begins to flow from them.

SLight, pleasant sounds which are synchronized and vary in number and kind as in a data flow, with synchronized rhythm appearing with ourselves, through our presence and position is the space, being the reason for these variations… in a continual adaptation.

OutComes undoubtedly studies information flows in the emerging system, but it goes beyond a visual representation of a virtual system and offers an immersive perception of a plastic result, which makes a great impact on our senses.